The Anime Encyclopedia, 3rd Revised Edition by
"Impressive, exhaustive, labyrinthine, and obsessive--The Anime Encyclopedia is an astonishing piece of work."--Neil Gaiman Over one thousand new entries . . . over four thousand updates . . . over one million words. . . This third edition of the landmark reference work has six additional years of information on Japanese animation, its practitioners and products, plus incisive thematic entries on anime history and culture. With credits, links, cross-references, and content advisories for parents and libraries. Jonathan Clements has been an editor ofManga Max and a contributing editor ofNewtype USA. Helen McCarthy was founding editor ofAnime UK and editor ofManga Mania.
Film Noir by
Film noir is a uniquely American genre that has stylistic links to the German expressionist cinema of the 1920s and thematic links to the hard-boiled crime fiction that emerged in the 1930s. Generally the milieu is urban and middle class, and the overall feel is one of repression and fatalism. Whether shot in black and white or color, the style reinforces the overall feel.Films, directors, actors, producers, screenwriters, art directors, themes, plot devices and many other elements are contained in this encyclopedic reference work. Each movie entry includes full filmographic data (studio, running time, production and cast credits, and plot synopsis) along with an analysis of its place in the genre. Biographical entries focus on the person's role in noir and provide a complete filmography of their film noir work. Terms are placed in the context of the genre and relevant examples from films are given.
A General Theory of Visual Culture by
What is cultural about vision--or visual about culture? In this ambitious book, Whitney Davis provides new answers to these difficult and important questions by presenting an original framework for understanding visual culture. Grounded in the theoretical traditions of art history, A General Theory of Visual Culture argues that, in a fully consolidated visual culture, artifacts and pictures have been made to be seen in a certain way; what Davis calls "visuality" is the visual perspective from which certain culturally constituted aspects of artifacts and pictures are visible to informed viewers. In this book, Davis provides a systematic analysis of visuality and describes how it comes into being as a historical form of vision. Expansive in scope, A General Theory of Visual Culture draws on art history, aesthetics, the psychology of perception, the philosophy of reference, and vision science, as well as visual-cultural studies in history, sociology, and anthropology. It provides penetrating new definitions of form, style, and iconography, and draws important and sometimes surprising conclusions (for example, that vision does not always attain to visual culture, and that visual culture is not always wholly visible). The book uses examples from a variety of cultural traditions, from prehistory to the twentieth century, to support a theory designed to apply to all human traditions of making artifacts and pictures--that is, to visual culture as a worldwide phenomenon.
The Handbook of Visual Culture by
Visual culture has become one of the most dynamic fields of scholarship, a reflection of how the study of human culture increasingly requires distinctively visual ways of thinking and methods of analysis. Bringing together leading international scholars to assess all aspects of visual culture, the Handbook aims to provide a comprehensive and authoritative overview of the subject. The Handbook embraces the extraordinary range of disciplines which now engage in the study of the visual - film and photography, television, fashion, visual arts, digital media, geography, philosophy, architecture, material culture, sociology, cultural studies and art history. Throughout, the Handbook is responsive to the cross-disciplinary nature of many of the key questions raised in visual culture around digitization, globalization, cyberculture, surveillance, spectacle, and the role of art. The Handbook guides readers new to the area, as well as experienced researchers, into the topics, issues and questions that have emerged in the study of visual culture since the start of the new millennium, conveying the boldness, excitement and vitality of the subject.
The Thames and Hudson Encyclopedia of Impressionism by
Covers painters, critics, patrons, and collectors, and describes the cultural background of the time.
The quality of your search and results depend on your search strategy: